Kick
warm · punchy · the floor
A self-oscillating filter with a bad attitude. The first thing you feel in the stairwell.
4 / floor
sounds · Antwerp · 96 bpm
The studio wall in Antwerp: six stems off one patch, printed in five inks. Audition a stem, mute it, solo it — build your own housevibe at home.
analog · urban · electro · modular
the track library · 6 stems
Each card is one channel of the same take. Hit play stem and the mixer below solos it in sync with the clock.
warm · punchy · the floor
A self-oscillating filter with a bad attitude. The first thing you feel in the stairwell.
low · rubbery · 3am
One oscillator bent by hand into a line that refuses to sit still. Voltage, not code.
dry · ticky · off-grid
Noise, high-passed until only the city is left. Dust moving through a streetlight.
hazy · wide · melancholic
Detuned chords held long enough to fog the windows. The kitchen reverb does the emotional work.
bright · urgent · tape delay
A short chord with a long echo, bouncing down the hallway. Blink and it is gone.
airy · wordless · ghost
A wordless line, half swallowed by the room. Not a sample, not a singer — air with a memory.
multitrack · 6 stems · one clock
Synchronized stems, no plugin. Mute one and the room changes; solo one and you hear the wires. Master volume sits at the top of the desk.
TRK 01KICK· ON
TRK 02BASS· ON
TRK 03HAT· ON
TRK 04PAD· ON
TRK 05STAB· ON
TRK 06VOICE· ON
audio starts on your first tap · muted channels go grey and hatched · solos outline in lime
sound notes · no discography, just character
No release titles, no line-up, no borrowed credits. Just the four words the project keeps returning to.
“Analog sounds, urban vibe, electro, underground — modular sounds for a room that never quite dries.”
Robert Cartner is an Antwerp project built around one idea: a housevibe you can rebuild at home. The desk is small, the patch is honest, and every stem keeps a little of the room it was played in.
Nothing here is a preset. Everything can be unplugged, muted, and put back slightly wrong.
printed in antwerp · five inks · no plugins
Voltage, drift and a little hiss. Oscillators tuned by ear and left to wander — the wobble is the point, not a mistake.
Antwerp rooms, trams through the wall, a kitchen reverb. The city is an instrument even when it is not invited.
Drum machines with bad posture, bass that lands slightly late. Enough swing to keep a basement moving.
Patch cables, one clock, six channels. Mute a stem and the patch re-draws itself in the room.